APPLICATION MATERIALS
Biography
JUNO award-winning Canadian composer Jordan Nobles is known for creating music filled with an “unearthly beauty” (Mondomagazine) that makes listeners want to “close (their) eyes and transcend into a cloud of music” (Discorder Magazine). Jordan has won numerous awards throughout his career including the distinguished Azrieli Music Prize (2024), a JUNO Award (2017), a Western Canadian Music Award (2018), the International Composition Competition of the Unbound Flute Festival (Brisbane, Australia 2016), the Sacra/Profana (San Diego 2013), Vancouver Bach Choir (Vancouver 2008), and Polyphonos (Seattle 2011) International Composition Competitions.
In 2017, Jordan was the recipient of the Jan V. Matejcek Award from SOCAN in recognition of “overall success in ‘New Classical Music”. He has released 11 albums of his compositions and has been performed around the world by orchestras, ensembles, and choirs.
He lives in Deep Cove, BC with his wife Kelly, and child Julian.
Jordan Nobles’ Curriculum Vitae
Project Description
Music Composition Samples
Visual Art Samples
PROJECT DESCRIPTION
During the residency .
This will be a new composition for large spatialized ensemble—possibly for string orchestra, though the final instrumentation will determined during the composing process. My goal is to compose a work that surrounds the listener, using spatial distribution and subtle harmonic movement to create a contemplative, immersive sonic environment. The piece may eventually be realized in multiple formats: as a live performance, a multi-channel sound installation, and/or a spatial audio recording for commercial release.
While at, I will plan daily hikes to explore the château and coastline and use photography and video to capture visual materials that may later influence the form or structure of the composition. These images and textures may inform the mood, pacing, or sonic palette of the composition, and even be incorporated into a video-based presentation of the piece.
I have access to 12 professional sounding iPad Pros, and display stands for them, which I can bring to ,,,,,,, if it is of interest. Depending on what the space and context allows, I can develop a demonstration version of my work as a sonic/visual installation using them, each functioning as a portable audio-visual “voice” in the piece. This demonstration would be suitable for quiet environments as an intimate presentation. They can be positioned in architectural spaces like cloisters or stairwells, or the gardens creating a diffuse constellation of sound and image. This format allows me to explore the intersection of composition, visual media, and the spatial experience—extending my musical practice into an interdisciplinary dimension.

The 12 iPad Pros on display stands in a test installation at the Murray Adaskin Salon (Vancouver)
COMPOSITION SAMPLES
Performers: Kammerchor Consono, conducted by Harald Jers (Koln, Germany)
* Coriolis was released on CD by the Kammerchor Consono, conducted by Harald Jers
* Premiered by the 21st Century Guitar Conference Orchestra, Ottawa, ON
* Infinity Mirror was released on CD by Adrian Verdejo performing on 6 & 7 string guitars
Performers: Contact Contemporary Music (Toronto)
* Nominated as ‘Classical Composition of the year’ at the 2012 Western Canadian Music Awards
* Awarded 2nd prize at the International Soli fan tutti Kompositionspreis (Germany)
* Released on the album Undercurrents by Contact Contemporary Music (Toronto)
* Released on the album …ohme zu wissen warum!? by Soli Fan Tutti (Darmstadt)
Performers: Chestnut Street Singers, The Laughing Bird, and PhilHarmonia (Philadelphia)
TEXT: The names of stars
* Winner of the International SACRA/PROFANA Composition Competition (San Diego)
* Selected to represent Canada at the International Society for Contemporary Music’s World Music Days (Wrocław, Poland)
* International Winner of the Polyphonos Composition Competition (Seattle)
* Released on the album 40 Voices Singing by the Chestnut Street Singers (Philadelphia)
VISUAL ART SAMPLES
While I am applying to the kmkmkmkmkmkmkmkmkm as a professional COMPOSER, I am also an emerging visual artist. I’ve recently begun exploring photography and video as a means of extending my compositional practice—looking at how sound and image can intersect in my artworks. This residency offers a valuable opportunity to further develop that intersection and consider how these two creative paths might converge in future projects.
FROZEN LIGHT
FROZEN LIGHT is a photographic series capturing Arctic sunsets refracted through ancient glacial ice, created during an artist residency on a tall ship in the High Arctic. October 2024.
For most of my creative life, I’ve looked to nature as both a collaborator and a guide. As a composer, I’ve drawn deeply from the movement of water, the silence of fog, and the invisible forces that shape the environment — from oceanic tides to atmospheric light. The Frozen Light photography series continues what has long driven my music: reverence for the natural world.
This series was born during a recent artist residency aboard the tall ship Antigua in the High Arctic (thanks to thearcticcircle.org ). Surrounded by glaciers, the late Arctic sun, suspended in fragments of glacial ice sculpted by water, weather, pressure, and time, became an endless source of inspiration and quiet focus. These photographs are unmanipulated.
WATERS
WATERS is an ongoing video series of light refractions on moving water, slowed down to reveal the subtle choreography of light, motion, and rhythm. These are low resolution excerpts.




















